Robert Daniels
@812filmreviews
Associate Editor at RogerEbert • Contributor: The New York Times • Screen Daily • Reverse Shot • [email protected]
ID:47823617
17-06-2009 02:28:03
37,2K Tweets
29,4K Followers
2,2K Following
Follow People
Matt Neglia
Owner & Editor-In-Chief of the entertainment awards website Next Best Picture & host of The #NBPpodcast. @CriticsChoice, @HCAcritics Member & @GoldDerby Expert.
Zoë Rose Bryant
“she’s a genius, and i love her.” - emerald fennell. also, a writer (among many other things). she/her.
Erik Anderson
Founder/EIC of AwardsWatch | Tracking & predicting Oscars/Emmys and more | 🍅 | he/him | @DorianAwards @HCAcritics @CriticsChoice | 🏳️🌈 | #BLM #StopAsianHate
Carlos Aguilar
Film critic. 🇲🇽 DACA. #BlackLivesMatter Bylines: @latimesent, @nytimes, @TheWrap, @ebertvoices, @indiewire. Member @LAFilmCritics
Guy Lodge
Film critic: Variety, The Observer, The Guardian, more. Co-pilot of https://t.co/efqsyLufkM. Beneath this glassy surface, a world of gliding monsters.
For Screen International, I wrote about THE FALLING SKY—a sensorial splendor about an Indigenous Brazilian tribe fighting to retain their way of life. It's playing in #cannes2024 's Directors' Fortnight.
screendaily.com/reviews/the-fa…
'While the first film in the possible HORIZON series does well in setting up future pictures. . .this single film is a chore to sit through.'
Robert Daniels reviews Kevin Costner's HORIZON: AN AMERICAN SAGA - CHAPTER 1 #Cannes2024
Read: rogerebert.com/reviews/horizo…
Kevin Costner's HORIZON: AN AMERICAN SAGA - CHAPTER 1 has major HOW THE WEST WAS WON vibes, and I don't mean that in a good way.
My #cannes2024 review via RogerEbert.com
rogerebert.com/reviews/horizo…
The early morning line to get into the Palais is so wildly inefficient, especially if you’re trying to make the first screening of the day. #cannes2024
'Immediately upon exiting MEGALOPOLIS, Francis Ford Coppola’s wine-backed passion project, I had a single, inescapable thought: I’m glad I got to watch Coppola’s CHI-RAQ'
Robert Daniels compares and contrasts the two formally ambitious films
Read: rogerebert.com/festivals/cann…
