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@ArtReview_

The independent critical voice in contemporary art since 1949.

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linkhttp://www.artreview.com calendar_today21-04-2009 09:38:40

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A pair of exhibitions – of Gene Beery and Lily van der Stokker – at Parker Gallery, Los Angeles are playful and nuanced while stalking the movements of previous years. Terry R. Myers measures the magnetic force between the two bit.ly/3VQRVPv

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Looking back to past injustice or forward to impending crisis, this year’s is a nervy, loud and unstable Turner Prize – and troubled by a lazy habit of insider selection bit.ly/3SfCtJt

Looking back to past injustice or forward to impending crisis, this year’s is a nervy, loud and unstable Turner Prize – and troubled by a lazy habit of insider selection bit.ly/3SfCtJt
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'Schjeldahl was always at war with the big opinion, with the cool take that could set the agenda for how people in the artworld might talk about what they were seeing for months or years to come' bit.ly/3gUtvUX

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’Goldin’s early work demonstrated that her camera lens was hopelessly fallible, capturing images soaked in love, anger, shame, pity’ bit.ly/3TEqcQp

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Watched Jimmy Carr chainsaw a painting (possibly) by Hitler and felt a deep sense of ennui artreview.com/jimmy-carr-the…

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Director of Tate Modern to step down in April 2023 after more than three decades at the institution bit.ly/3Df61Bt

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Audiences that can’t tell good from bad, artists who can’t either, gallerists who can’t get off the hamster wheel, and a general sense of burnout is a recipe for ‘abundant feelgood staleness’ bit.ly/3THCcAk

Audiences that can’t tell good from bad, artists who can’t either, gallerists who can’t get off the hamster wheel, and a general sense of burnout is a recipe for ‘abundant feelgood staleness’ bit.ly/3THCcAk
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