Designing Film(@DesigningFilm) 's Twitter Profileg
Designing Film

@DesigningFilm

Design in film, VFX and sometimes other things.

ID:581735344

calendar_today16-05-2012 10:53:03

1,6K Tweets

5,2K Followers

664 Following

Follow People
BLIND(@BLIND_LTD) 's Twitter Profile Photo

The shapes in Star Wars are really quite simple. The TIE-Fighter, X-wing, Death Star, or a Star Destroyer they’re all geometric. It’s a great thing to fix on because they’re identifiable, even in space

account_circle
DuneInfo(@DuneInfo) 's Twitter Profile Photo

cinematographer Greig Fraser explains how Unreal Engine was used to plan shots in the desert based on the sun's position and the shadows cast.

account_circle
Paul Duncan(@kershed) 's Twitter Profile Photo

March 17, 2003: Star Wars: Revenge of the Sith: Ryan Church's modified design for Anakin’s Jedi starfighter—revised cockpit design with two extended laser cannons, and the R2 unit is now located on the wing, within the pilot’s field of vision.
youtu.be/Ocm__ZQTZVk

March 17, 2003: Star Wars: Revenge of the Sith: @rchurchdesign's modified design for Anakin’s Jedi starfighter—revised cockpit design with two extended laser cannons, and the R2 unit is now located on the wing, within the pilot’s field of vision. youtu.be/Ocm__ZQTZVk
account_circle
Designing Film(@DesigningFilm) 's Twitter Profile Photo

A seaside city of the future. Concept artwork by Frederic W. Hope for Buck Rogers in the 25th Century (NBC, 1979-1981).

A seaside city of the future. Concept artwork by Frederic W. Hope for Buck Rogers in the 25th Century (NBC, 1979-1981).
account_circle
Designing Film(@DesigningFilm) 's Twitter Profile Photo

Drawing by Daniel McGarry exploring the balance between organic and mechanical elements for the Simulants of The Creator (2023).

Drawing by Daniel McGarry exploring the balance between organic and mechanical elements for the Simulants of The Creator (2023).
account_circle
Designing Film(@DesigningFilm) 's Twitter Profile Photo

Production illustration on cel overlay by George Jenson. Created to plan one of the composite shots of the Mothership arrival in Close Encounters of the Third Kind (1977).

Production illustration on cel overlay by George Jenson. Created to plan one of the composite shots of the Mothership arrival in Close Encounters of the Third Kind (1977).
account_circle