Veteran Anon ☀️(@VeteranAnon) 's Twitter Profileg
Veteran Anon ☀️

@VeteranAnon

◇ Crítico | CEO de @Nostrafort | Escritor en "Untethered Festival Place" y más.

ID:1306827587554074624

linkhttp://nostrafort.com calendar_today18-09-2020 05:29:19

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𝑴𝒊𝒄𝒉(@RightMash_X) 's Twitter Profile Photo

Efectivamente, es el peak del anime.

No tengo palabras para describir el excelente trabajo que hicieron con esta obra.

Un cast buenísimo y extenso, un mundo y lore excelentemente planteado y explorado, temas y diálogos interesantísimos, etc.

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Veteran Anon ☀️(@VeteranAnon) 's Twitter Profile Photo

Esta es una actuación cómica, sin llegar al punto de degradarse a sí mismo, es gracioso porque es carismático y simpático, no porque sea un bufón al cual apuntar con el dedo.

Esta es una filosofía que se ha ido perdiendo con los años, fuera y dentro de la animación.

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Spum(@spumdonor) 's Twitter Profile Photo

Replies predictably full of WELL IT WAS JOHN K WHAT DO YOU EXPECT when this was made after he’d left & was written by Tom Minton who’d been working in the industry since the 70s & had earned the right to make fun of it (later he’d also write the animaniacs “back in style” ep)

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Spum(@spumdonor) 's Twitter Profile Photo

It's true, anime probably reached peaked cartooniness in the 90s because of the influence from America having its own renaissance of cartooniness at the time, & everyone seems to remember that period fondly

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Spum(@spumdonor) 's Twitter Profile Photo

I think this outlook is born from a lack of exposure to stuff like Looney Tunes not airing on regular TV for 25 years, because this scene isn't fundamentally different from the kind that Rod Scribner animated for Bugs or Daffy, which are still so celebrated. They're all big

I think this outlook is born from a lack of exposure to stuff like Looney Tunes not airing on regular TV for 25 years, because this scene isn't fundamentally different from the kind that Rod Scribner animated for Bugs or Daffy, which are still so celebrated. They're all big
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