Kazembe Balagun (@bronxbanlieue) 's Twitter Profile
Kazembe Balagun

@bronxbanlieue

Exec. Director: @mayslesdoc Harlem’s micro cinema
email:[email protected]
Film, politics, movement.

Native New Yorker, i oughta know the score by now.

ID: 16700101

linkhttp://www.maysles.org calendar_today11-10-2008 21:11:58

9,9K Tweet

4,4K Followers

4,4K Following

Maysles Documentary Center (@mayslescinema) 's Twitter Profile Photo

“The Spook Who Sat By The Door” run here continues in Harlem: Join us Sunday August 25 for a post screening discussion “The Black Panther Party and the Spook” with veteran journalist Herb Boyd, activist Brother Shep, and WBAI New York at 99.5 FM, streaming at wbai.org King Downing tinyurl.com/nbw2wykt

“The Spook Who Sat By The Door” run here continues in Harlem: Join us Sunday August 25 for a post screening discussion “The Black Panther Party and the Spook” with veteran journalist Herb Boyd, activist Brother Shep, and <a href="/WBAI/">WBAI New York at 99.5 FM, streaming at wbai.org</a> King Downing tinyurl.com/nbw2wykt
Kazembe Balagun (@bronxbanlieue) 's Twitter Profile Photo

Looking forward to the “Rebels Cinema” Screening of Pontecorvo’s “BURN!” (Preceded by Marlo Brando’s Speech at Bobby Hutton’s Funeral) 7 PM Maysles Documentary Center

Looking forward to the “Rebels Cinema” Screening of Pontecorvo’s “BURN!” (Preceded by Marlo Brando’s Speech at Bobby Hutton’s Funeral) 7 PM <a href="/MayslesCinema/">Maysles Documentary Center</a>
Ty Guy (@brainenergy4me) 's Twitter Profile Photo

The healthier you get, the more fun you can have. Not just physical capabilities, but your brain’s capacity to experience fun

yasmina (@jasminprix) 's Twitter Profile Photo

across traditions of militant cinema, the inaccessibilities of materials, training, distribution, dependency and borders cross those of language as a call to arms, haitian filmmaker arnold antonin embedded an international language of solidarity in his 1975 document of struggle

across traditions of militant cinema, the inaccessibilities of materials, training, distribution, dependency and borders cross those of language

as a call to arms, haitian filmmaker arnold antonin embedded an international language of solidarity in his 1975 document of struggle