“I have an obsession with justice.” With muscular action-thriller throwback REBEL RIDGE, Jeremy Saulnier is back with a vengeance. For RogerEbert.com, we talked metal music, Sergio Leone, financial desperation, and the glory of the Ford F-350 dually: rogerebert.com/interviews/fig…

"The premise proposes a battle of wits and control via a brewing storm between the two leads that never really comes to pass." Read peyton danielle's review of THE FRONT ROOM: rogerebert.com/reviews/the-fr…

"Just as a poem can transform with a slight change of intonation, so does this fractaled love that lives in Mara, as it lives in all of us." Read 🏳️‍🌈 Ms. Marya E. Gates @ TIFF 🦩's #TIFF24 review of MATT AND MARA: rogerebert.com/reviews/matt-a…

this one really snuck up on me #TIFF24

First review of #TIFF24 was MATT AND MARA, a film that I was not expecting to like as much as I did. It hit deep. For RogerEbert.com: rogerebert.com/reviews/matt-a…

THE MOTHER OF ALL LIES’ "strange and creative approach to storytelling and family therapy is a small wonder to see in action." Read Monica Castillo's review: rogerebert.com/reviews/the-mo…

Busy week! I also reviewed the creative documentary THE MOTHER OF ALL LIES, out today ⬇️

DON’T TURN OUT THE LIGHTS! Not just something fun to yell in public, but also an unusual horror movie about a group of young thrill seekers who get attacked by /something/ on their way to a music festival. Maybe a good hangout movie? More RogerEbert.com: rogerebert.com/reviews/dont-t…

GREATEST OF ALL TIME! Tamil star Vijay is back and this time he’s fighting a familiar enemy in this 3-hour action vehicle. Does it live up to the name or even approach the delirious heights of recent hits like MASTER and LEO? Just about! More RogerEbert.com: rogerebert.com/reviews/the-gr…

LOOK INTO MY EYES is "an often profound and touching documentary that engages your attention differently than movies usually do." Read MZS's four-star review: rogerebert.com/reviews/look-i…

WE LIVE IN TIME "is a film that looks you in the eyes as it tugs on your heartstrings, a movie that would almost certainly fall apart with lesser performers to make this kind of shallow script feel organic." Read Brian Tallerico's #TIFF24 review: rogerebert.com/reviews/we-liv…

"Through 13 films, fueled by over 15 cups of tea and maybe a bit too many Twizzlers" cortlyn kelly reflects on highlights from this year's #TellurideFilmFestival Read: rogerebert.com/festivals/the-…

In his first dispatch from #TIFF24, Brian Tallerico looks at Mati Diop’s DAHOMEY, Andrea Arnold's BIRD, and Paul Schrader's OH, CANADA Read: rogerebert.com/festivals/tiff…

In this dispatch from #TIFF24, Brian Tallerico writes about Embeth Davidtz’s DON'T LET'S GO TO THE DOGS TONIGHT, Jason Buxton's SHARP CORNER, and rederik Louis Hviid’s THE QUIET ONES Read: rogerebert.com/festivals/tiff…

In this dispatch from #TIFF24, Brian Tallerico looks at Sean Ellis's THE CUT, Samir Oliveros’ THE LUCKIEST MAN IN AMERICA, David Gordon Green’s NUTCRACKERS Read: rogerebert.com/festivals/tiff…

With REBEL RIDGE on Netflix, my interview with Jeremy Saulnier, on why the film opens with an Iron Maiden track, the evolving role that vehicular carnage has played in his films, why he envisioned Aaron Pierre's character as his own spin on the Man With No Name, and much more:

In his latest #TIFF24 dispatch, Brian Tallerico looks at is Mike Flanagan’s THE LIFE OF CHUCK, Marielle Heller’s NIGHTBITCH, and Anderson .Paak's K-POPS Read: rogerebert.com/festivals/tiff…

In her first #TIFF24 dispatch, 🏳️‍🌈 Ms. Marya E. Gates @ TIFF 🦩 writes about Durga Chew-Bose’s BONJOUR TRISTESSE, Rachel Morrison's THE FIRE INSIDE, and Gia Coppola's THE LAST SHOWGIRL Read: rogerebert.com/festivals/tiff…

IndieWire Wrote about BONJOUR TRISTESSE, THE FIRE INSIDE, and THE LAST SHOWGIRL. for that last film, I wrote a bit about my Great Aunt Zay, who was herself a showgirl decades ago (she's in her late 90s now) For RogerEbert.com: rogerebert.com/festivals/tiff…

Mike Flanagan fans! Alert!