New York Film Festival (@thenyff) 's Twitter Profile
New York Film Festival

@thenyff

#NYFF62: Sept. 27 - Oct. 14, 2024 | Since 1963, NYFF has presented new and important cinematic works from around the world.

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linkhttps://campsite.bio/thenyff calendar_today01-08-2011 14:47:00

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Danny Jarabek @ #TIFF24 (@dtjcinema) 's Twitter Profile Photo

UNIVERSAL LANGUAGE is both microscopic and seismic, specific and ambiguous. In this obtuse vision of Winnipeg, Rankin blends influences of absurdist voices and Kiarostami into a harmonic whole. Brilliant compositions & a poetic balance of deadpan humor w/ an emotional foundation.

UNIVERSAL LANGUAGE is both microscopic and seismic, specific and ambiguous. In this obtuse vision of Winnipeg, Rankin blends influences of absurdist voices and Kiarostami into a harmonic whole. Brilliant compositions & a poetic balance of deadpan humor w/ an emotional foundation.
IndieWire (@indiewire) 's Twitter Profile Photo

‘Stranger Eyes’ Review: Singaporean Surveillance Crime Thriller Morphs Into a Moving Meditation on Our Human Dislocation from Each Other trib.al/HsmBUBM

Variety (@variety) 's Twitter Profile Photo

EXCLUSIVE: Utopia has acquired U.S. rights to director Alex Ross Perry’s “Pavements,” the day after its world premiere at the Venice Film Festival. variety.com/2024/film/glob…

UTOPIA (@utopiamovies) 's Twitter Profile Photo

Introducing Alex Ross Perry's PAVEMENTS, the newest addition to UTOPIA 💫 Starring Joe Keery, Jason Schwartzman, Nat Wolff, Fred Hechinger, Logan Miller, Griffin Newman, Tim Heidecker, Michael Esper, Zoe Lister-Jones, and Kathryn Gallagher. Coming Soon ✨

Introducing Alex Ross Perry's PAVEMENTS, the newest addition to <a href="/utopiamovies/">UTOPIA</a> 💫

Starring Joe Keery, Jason Schwartzman, Nat Wolff, Fred Hechinger, Logan Miller, Griffin Newman, Tim Heidecker, Michael Esper, Zoe Lister-Jones, and Kathryn Gallagher.

Coming Soon ✨
Adriano TIFF Caporusso (@adricaporusso) 's Twitter Profile Photo

I was not expected to be as swooped up by ALL WE IMAGINE AS LIGHT as I was. Payal Kapadi’s wonderful and endearing look at the lives of women in India is complimented by beautiful cinematography and an effectively life-affirming ending. #TIFF24 Follow Bitesize Breakdown for more.

I was not expected to be as swooped up by ALL WE IMAGINE AS LIGHT as I was. Payal Kapadi’s wonderful and endearing look at the lives of women in India is complimented by beautiful cinematography and an effectively life-affirming ending. #TIFF24

Follow <a href="/bitesizebreak/">Bitesize Breakdown</a> for more.
Angelo Muredda (@amuredda) 's Twitter Profile Photo

THE SHROUDS is great — the most moving Cronenberg since M. BUTTERFLY but also quite funny. Much of the madcap conspiracy stuff that felt stilted in his novel just works here.

Amazon MGM Studios (@amazonmgmstudio) 's Twitter Profile Photo

From Academy Award Nominee RaMell Ross comes “A New American Masterpiece”. Watch the trailer for #NickelBoys on YouTube now, and see the film only in theaters this fall.

Danny Jarabek @ #TIFF24 (@dtjcinema) 's Twitter Profile Photo

ALL WE IMAGINE AS LIGHT operates with seductive patience & confidence offering rich clarity on female camaraderie in the face of generational sadness. Behind a score that melts your soul, Kapadia refuses to deviate from her gentle pace, culminating in a euphoric final scene.

ALL WE IMAGINE AS LIGHT operates with seductive patience &amp; confidence offering rich clarity on female camaraderie in the face of generational sadness. Behind a score that melts your soul, Kapadia refuses to deviate from her gentle pace, culminating in a euphoric final scene.
IndieWire (@indiewire) 's Twitter Profile Photo

Produced by Luca Guadagnino, this elemental character study about an abortion provider in rural Georgia is scarier than any horror movie you'll see this year. Read David Ehrlich's rave review of "April" from filmmaker Dea Kulumbegashvili: trib.al/axkWKd2

Produced by Luca Guadagnino, this elemental character study about an abortion provider in rural Georgia is scarier than any horror movie you'll see this year. Read David Ehrlich's rave review of "April" from filmmaker Dea Kulumbegashvili: trib.al/axkWKd2
Sara Clements 🍉@ TIFF24 (@mildredsfierce) 's Twitter Profile Photo

ALL WE IMAGINE AS LIGHT is gorgeous. Stunning cinematography & performances. The complexities of romance are captured here so perfectly by looking at two women at difference points in their relationships. You see & feel emotions across the spectrum all at once. Not to be missed.

ALL WE IMAGINE AS LIGHT is gorgeous. Stunning cinematography &amp; performances. The complexities of romance are captured here so perfectly by looking at two women at difference points in their relationships. You see &amp; feel emotions across the spectrum all at once. Not to be missed.
Nadia 🔜 TIFF (@nadreviews) 's Twitter Profile Photo

Sitting in the glow of Payal Kapadi’s ALL WE IMAGINE AS LIGHT. A remarkable interconnected narrative about women in Mumbai that balances day-to-day drama with tinges of romance. I fell in love with the characters and wanted to continue their journeys with them. Loved it. #TIFF24

Sitting in the glow of Payal Kapadi’s ALL WE IMAGINE AS LIGHT. A remarkable interconnected narrative about women in Mumbai that balances day-to-day drama with tinges of romance. I fell in love with the characters and wanted to continue their journeys with them. Loved it. #TIFF24