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“I needed to film and tell the stories of the four generations of women in my family,” Lina Soualem for A Rabbit’s Foot a-rabbitsfoot.com/editorial/conf…

Kinds of Kindness review—a triptych of elevated weirdness ⭐️⭐️⭐️⭐️ Anna Bogutskaya a-rabbitsfoot.com/editorial/film…

The winning film will receive £10,000 and mentorship from Charles Finch and Rabbit's Foot Films. #shortfilmcompetiton a-rabbitsfoot.com/editorial/shor…

For A Rabbit’s Foot I loved writing about absence in the cinema of Marguerite Duras, following her ghostly “photo absolue” for the Institute of Contemporary Arts retrospective 💝 “I believe only in 𝓶𝔂 cinema. I don’t believe in any other cinema” a-rabbitsfoot.com/editorial/film…

Levan Akin on earnestness, animal rights and Crossing. a-rabbitsfoot.com/editorial/film…

I loved Janet Planet, a quietly devastating film about the snug, fragile, sometimes claustrophobic insularity of a single mother-daughter relationship I wrote for A Rabbit’s Foot about Lacy’s tiny universe, and the new wave of single parent films this year a-rabbitsfoot.com/editorial/film…

With new features from Pedro Almodovar and Luca Guadagnino, Todd Field’s Joker: Folie à deux and Pablo Larrain’s portrait of Maria Callas, here are the unmissable films at this year’s festival. #venice2024 a-rabbitsfoot.com/editorial/film…

Venice 2024: Maria review—portrait of the artist as an older woman ⭐️⭐️⭐️½ Jenna Mahale #VeniceFilmFestival2024 #MariaCallas #PabloLarrain a-rabbitsfoot.com/editorial/film…

Venice 2024: Vermiglio review—an atmospheric Alpine pastoral ⭐️⭐️⭐️ #VeniceFilmFestival #vermiglio a-rabbitsfoot.com/editorial/film…

“800 people were rapping back in Irish—I didn’t realise there were that many young people in Belfast who understood Irish. I thought it was a language confined to the countryside and old people." #kneecap #kneecapmovie Curzon Film a-rabbitsfoot.com/editorial/cult…

Venice 2024: The Room Next Door review—an understated upstairs downstairs Jenna Mahale #VeniceFilmFestival2024 ⭐️⭐️⭐️ a-rabbitsfoot.com/editorial/film…

A starry night celebrating the new Aston Martin Vanquish in Venice Aston Martin #AstonMartin #Vanquish #VeniceFilmFestival a-rabbitsfoot.com/editorial/cult…

Venice 2024: Queer review—sex sells in Guadagnino’s stylish Burroughs adaptation Jenna Mahale #Venice2024 #lucaguadagnino a-rabbitsfoot.com/editorial/film…

9/9/89 Gus Van Sant's astonishing Drugstore Cowboy, w/Matt Dillon, Kelly Lynch, Heather Graham, WS Burroughs More Luke Georgiades/A Rabbit’s Foot: a-rabbitsfoot.com/editorial/conf… Brian Greene: criminalelement.com/run-down-to-th… Rog: rogerebert.com/reviews/drugst… Scott Tobias: theguardian.com/film/2019/oct/…

MidCenturyCinema Luke Georgiades A Rabbit’s Foot Brian Greene Scott Tobias Still never put my hat on a bed!!

Venice 2024: The Brutalist review—Brady Corbet’s architectural epic is poised for glory ⭐️⭐️⭐️⭐️⭐️ Jenna Mahale #TheBrutalist #BradyCorbet #venicefilmfestival2024 a-rabbitsfoot.com/editorial/film…

Rafa Sales Ross rounds up the 2024 Venice Film Festival, where boiling temperatures were met with steamy films, Gaga fever and a masterpiece from Brady Corbet in The Brutalist. Rafa Sales Ross #VeniceFilmFestival #venice2024 a-rabbitsfoot.com/editorial/film…

I wrote about this year’s sweltering, strange Venice Film Festival for A Rabbit’s Foot a-rabbitsfoot.com/editorial/film…

Why can’t Christian Petzold adapt Georges Simenon? a-rabbitsfoot.com/editorial/cult…