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“The declamation is so unaffectedly simple that you want to hang on every word.” Read “Magna opera,” by George Loomis. George Loomis newcriterion.com/2024/08/magna-…

“Beethoven requires his players to tear into this trio—at the beginning of the first movement, I mean.” Read “New York chronicle,” by Jay Nordlinger. Jay Nordlinger newcriterion.com/article/new-yo…

“The most unexpected and most gratifying success of the Broadway season is the utterly delightful third Broadway iteration of ‘The Wiz.’” Read “Seventies swagger,” by Kyle Smith. Kyle Smith newcriterion.com/article/sevent…

“‘Fanciulla’ also indulges the Wagnerian theme of male redemption through a pure woman’s love.” Read “Face of an angel,” by Paul du Quenoy. newcriterion.com/2024/08/face-o…

“Very few young poets could fail to have their heads turned by such a consoling chorus.” Read “The trouble with Delmore,” by William Logan. newcriterion.com/article/the-tr…

“He was praised as having ‘the skill of a D’Artagnan, the strength of a Porthos, the heart of an Athos and the body of an Englishman.’” Read “A sportsman among Souls,” by David Platzer. Unbound newcriterion.com/article/a-spor…

“‘Pelléas’ was the one disappointment among the operas of an especially strong season at Aix.” Read “Magna opera,” by George Loomis. George Loomis newcriterion.com/2024/08/magna-…

“Randolph Churchill described Lady Cynthia as the ‘greatest flirt,’ and L. P. Hartley praised her gossamer qualities as a conversationalist.” Read “Soul searching,” by David Platzer. newcriterion.com/2024/08/soul-s…

“Making these moments come alive requires delicate and incisive stagecraft, an expertise that German directors call ‘Personenführung.’” Read “Virtual Parsifal,” by Paul du Quenoy. newcriterion.com/2024/09/virtua…

Our critic’s pick: “A Day in September: The Battle of Antietam and the World It Left Behind,” by Stephen Budiansky (W. W. Norton). W. W. Norton & Company newcriterion.com/2024/09/the-cr…

Our critic’s pick: “Emily Nelligan: Early Drawings” at Alexandre Gallery, New York (September 5–October 26). Alexandre Gallery newcriterion.com/2024/09/the-cr…

Our critic’s pick: Jeffrey Swann performs Beethoven at Bargemusic, Brooklyn (September 8). Bargemusic newcriterion.com/2024/09/the-cr…

Our critic’s pick: “Newport Cottages 1835–1890: The Summer Villas Pre-Vanderbilt Era,” with Michael C. Kathrens, at the General Society Library (September 12). newcriterion.com/2024/09/the-cr…

“We live quite a lot of the time in a state of busy boredom.” Read “Slipshoddiness,” by Anthony Daniels. newcriterion.com/article/slipsh…

“So how can I not respond to a thinly veiled attack on both religion and what is unquestionably one of a small handful of especially successful modern linguistic projects?” Read “Putting down roots,” by Joshua T. Katz. newcriterion.com/article/puttin…

“This summer I found myself toggling between the headset and good, old-fashioned, unobstructed viewing.” Read “Virtual Parsifal,” by Paul du Quenoy. newcriterion.com/2024/09/virtua…

“Modersohn-Becker had a troubled friendship with Rainer Maria Rilke, of whom she painted a charming and slightly mocking Nabi-looking portrait in the Neue exhibition.” Read “A painted universe,” by Franklin Einspruch. newcriterion.com/2024/09/a-pain…

“This misperception of Ives as a modernist goes hand in hand with a larger miscue in American cultural history, which Horowitz has termed ‘pastlessness.’” Read “Symphony of the ‘let out’ souls,” by Allen C. Guelzo. newcriterion.com/article/sympho…

“You may not want to be buried with Mahler 5—but what a gift it is, for everyone open to it.” Read “Austrian-led Pennsylvanians in Austria,” by Jay Nordlinger. Jay Nordlinger newcriterion.com/2024/08/austri…

“Zucker was ahead of his time in his use of unorthodox materials and techniques, not to mention his resurfacing of fraught historical subject matter.” Read “The map & the territory,” by James Panero. James Panero newcriterion.com/article/the-ma…