Eternal You review – thought-provoking look at new AI product for the grieving dlvr.it/T8ys57

The Imaginary review – beguiling fantasy from Japan’s Studio Ponoc dlvr.it/T8ytzM

Horizon: An American Saga – Chapter 1 review – Kevin Costner’s unapologetically old-school western dlvr.it/T8ywhP

A Quiet Place: Day One review – stylish and satisfying prequel dlvr.it/T8zBZr

'Windless' Karlovy Vary Review: Bulgarian rapper FYRE is a returning emigrant forced to confront both his own past, and that of his country. #KVIFF58 review by Wendy Ide screendaily.com/reviews/windle…

'Tiny Lights' Karlovy Vary Review: Delicate Czech drama spends a day in the life of a six-year-old girl as she navigates family discord. #KVIFF58 review by Wendy Ide screendaily.com/reviews/tiny-l…

Absolutely this.

Oh joy.

My review of Longlegs, which is partly great.

Eno - the generative documentary about Brian Eno which is different every time it screens - is remarkable. A film that is as fascinating and intellectually agile as it's subject. I loved it (or at least I loved the version I saw). theguardian.com/film/article/2…

In these troubled times, perhaps we all need a gentle, life-affirming documentary about a Bhutanese happiness inspector. theguardian.com/film/article/2…

Janey Planet, my film of the week, explores the quiet storms of a mother-daughter relationship, rather than the big noisy hurricanes elsewhere in cinemas. theguardian.com/film/article/2…

Hard recommend for the glorious, feel-good Welsh chicken factory musical, Chuck Chuck Baby theguardian.com/film/article/2…

I’ve been in Tbilisi for a matter of hours and I can’t remember falling harder and faster for a city.

More exciting curation from Klassiki - I’m looking forward to catching up with this one.

I’m out of here. threads.net/@wendyide

Dipping back into X to say that Kill the Jockey is a blast

Can Fernanda Torres get an Oscar nomination for a Walter Salles film 25 years after her mother did? I think it’s a distinct possibility. I’m still here is glorious.

A very strong debut from Romania - final 15 minutes are as good, if not better, than anything I have seen in Venice this year.

This is really something. The strongest film of competition for me.