'There is no more powerful sense of place than to be in your body wherever you are standing.' —Paula Wilson

'Paula Wilson: Imago' is on view at Denny Dimin Gallery in New York City until October 29. Her interview for BOMB:

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'And what is left but / To hope they’ll lose, and losing, save us. Come. Remind me / What was it like to see the end and live'

From 'In the Teeth of the Hound' by Shane McCrae (Shane McCrae).

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Happy birthday, Vijay Iyer! Revisit the composer & pianist's interview with Mendi Obadike & Keith Obadike from Issue 135, Spring 2016.

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'I try to make work about how we are to one another: work that engages our adorations, contempt, pleasures, and punishments.' —Barbara Kruger

The text-based artist speaks to Osman Can Yerebakan on two new shows at the #VeniceBienniale and MoMA The Museum of Modern Art.

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'Our tools for thinking bear the imprint of the raciality and coloniality we would hope to abolish.' —Saidiya Hartman

The 25th anniversary edition of SCENES OF SUBJECTION is out today from W. W. Norton & Company. Read Hartman's interview with Zakiyyah Iman Jackson for BOMB:

bombmagazine.org/articles/saidi…

Newly added: fellowships, residencies, and prizes from Nightboat Books, PEN/Faulkner Foundation, Kirkland Arts Center, and more. Browse our quarterly round-up and apply before the deadlines pass!

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'... Even when looking in solitude, we never truly see images alone. The multitudes and histories that occasion them accompany us too.'

New from the fall issue: (W)hole by Stanley Wolukau-Wanambwa, an essay on the “common fugivity” of photographs.

bombmagazine.org/articles/whole

'We're not replacing composers and musicians. It’s more about whether we can we add more instruments to the ensemble to be part of that creative process.'

K Allado-McDowell, Derrick Skye, and Refik Anadol discuss making an AI opera come to life.

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From the #BOMBArchive : Polly Apfelbaum by Stephen Westfall. Issue 27, Spring 1989.

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What a tremendous pleasure to be in conversation with Saidiya Hartman on the 25th anniversary of Scenes of Subjection--a text of such tremendous importance to me as a thinker and to so many of us. Thank you BOMB Magazine and Benjamin Samuel for hosting this conversation.

Claude Lawrence, Untitled, 2019, acrylic on canvas, 36 × 36 inches. Courtesy of the artist.

An excerpt of Claude Lawrence's Oral History with George Negroponte appears in BOMB's fall issue.

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'... I could fully bloom in the light of the sun in the desert, but the backdrop of my being is urban.' —Paula Wilson

'Paula Wilson: Imago' is on view at Denny Dimin Gallery Gallery until October 29. Interview by Heidi Howard.

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“After I learn about my hearing loss, I begin to wonder if, like my imagining of the Golden Record, the sounds I remember will become a library of false memories, inaccurate noises, and off-key songs.”

An essay by Joe Meno, from BOMB's fall issue.

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The Fall/Winter deadlines for upcoming fellowships, residencies, and prizes are fast approaching! Browse our quarterly round-up to find funding for your next project or artistic getaway.

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'What you’re watching in this film is a lack of political will, a set of misplaced priorities toward financial spending.' —Sierra Pettengill

The documentarian on her new film, RIOTSVILLE, USA. Interview by Conor.

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'The poet in me cracked the gaps in America’s stories open like a line break.'

An excerpt from 'The Black Period' by THE BLACK PERIOD - Hafizah Augustus Geter, a memoir about navigating Blackness, Islam, disability, and queerness, out now from Penguin Random House 🐧🏠📚.

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'A glare burns / On the lake, and in the small boat they take turns / Rowing, the one, the other.'

From 'Home After Travelling' by Shane McCrae, one of three poems from the fall issue now available to read online.

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