Eileen G'Sell
@Reckless_Edit
Film critic. Poet. Rabkin winner. Words @Hopkins_Review, @poetrymagazine @theBafflermag @Curaffairs @Jacobin @Hyperallergic @Reverse_Shot @Salon @VICE
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http://eileengsell.com 08-11-2012 05:24:00
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“‘Chronic inflammation’ sounds like an energy drink, ethaline green, with racecar font on the can.”
Hilarious and heart wrenching story from my brilliant friend JoAnna Novak Conjunctions conjunctions.com/online/article…
For #MayDay I figured I'd share a piece I'm proud of from early lockdown: an interview with my personal account Los Angeles Review of Books in which we talk about economic precocity, creativity, and her film EL PLANETA. lareviewofbooks.org/article/having…
Ena Sendijarević’s sophomore feature, SWEET DREAMS, proves that she is a vital cinematic voice. Poetic, dark, and bitterly funny, her scathing critique of Dutch colonialism should be seen on the big screen if at all possible (wish I could!). Currently playing Metrograph.
An honor to review poet Mary Jo Bang's A BOOK IN WHICH I PLAY EVERYONE Graywolf Press for Harp & Altar. I believe it is her best book to date—and, as I argue, the most conspicuously feminist. harpandaltar.com/ha13/cellblock…
Reviews from Sylvia Dziewałtowska on Monica McClure and Eileen G'Sell on Mary Jo Bang, along with Mike Newton’s gallery reviews and a profile of Uljana Wolf by Elise Harris on the release of Wolf’s first book of poems in English translation.
'Poetry is not a marketing strategy or even an aesthetic — it’s a whole way of looking at the world and its language, turning them both upside down in search of new meanings and possibilities.'
Thank you, Lindsay Zoladz. Couldn't agree more.
nytimes.com/2024/04/19/art…
One of my favorite French films is playing this afternoon Hi-Pointe Theatre: Céline Sciamma’s PETITE MAMAN! I was honored to interview the filmmaker for Reverse Shot when the film first received wide release. reverseshot.org/interviews/ent…
This album should more aptly be called 'The Tortured Poets Program'. The academy stopped granting poets—even tortured ones—departmental funding years ago. #TaylorSwift
Love that FULL TIME, starring the inimitable Laure Calamy, is playing Hi-Pointe Theatre tonight as part of the Robert Classic French Film Festival Cinema St. Louis/SLIFF. Here's my review of Éric Gravel's fantastic film for Los Angeles Review of Books. lareviewofbooks.org/article/extrao…