SydneyTheatreCompany
@sydneytheatreco
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http://www.sydneytheatre.com.au 16-04-2009 12:13:51
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Presented by SydneyTheatreCompany and Moogahlin Performing Arts, Jane Harrison's powerful play offers a very different, thought-provoking perspective on the arrival of the First Fleet. limelightmagazine.com.au/reviews/the-vi…
“It’s like I am trying to make live cartoons all the time.” Director Sarah Giles, currently rehearsing SydneyTheatreCompany’s production of Oscar Wilde’s ‘The Importance of Being Earnest’, discusses the profound influence of Ren and Stimpy on her work:
🎭: The Dictionary of Lost Words – State Theatre Company South Australia + SydneyTheatreCompany Verity Laughton’s stage adaptation of Pip Williams’ best-selling book is a very clever realisation, writes UniSA's Russell Fewster. theconversation.com/a-journey-of-d…
"This is risk-taking theatre with a deep thematic journey," It's ★★★★ from Julian for Sydney Theatre Company's 'Is God Is', playing at the Wharf Theatre until 21st October SydneyTheatreCompany theaureview.com/arts/theatre-r…
Hello! If you are not already a subscriber of the SydneyTheatreCompany but you would like to be, subscription packages of 6-13 shows for next year ARE NOW ON SALE! Which means you can snap up your ticket to my zany farce comedy “A Fool in Love” RIGHT HERE: sydneytheatre.com.au/whats-on/produ…
Ahead of The Dictionary of Lost Words' world premiere on the State Theatre Company South Australia and SydneyTheatreCompany stages, we talk to its author, adaptor and director. limelightmagazine.com.au/features/a-wom…
Much-loved Australian actor Sigrid Thornton talks playing Irina Arkadina in SydneyTheatreCompany's The Seagull, and why risk-taking has become part of her makeup. limelightmagazine.com.au/features/a-fre…
Sydney local and visitors: ➡️Oil explores the bond between a mother & daughter, mapped against the rise and fall of two of modernity’s most powerful players: crude oil and the British Empire. SydneyTheatreCompany now - 16 Dec sydneytheatre.com.au/whats-on/produ…
"a story about female friendship, of women forging their own paths despite resistance and about the significance of words" It's ★★★★½ for SydneyTheatreCompany's The Dictionary of Lost Words - performances run until December 16th! theaureview.com/arts/theatre-r…
“There's lots of unknowns, but that's ok. I find when something’s a little bit scary, it’s a recommendation to forge ahead." Sigrid Thornton talks about her return to SydneyTheatreCompany to star in The Seagull. limelightmagazine.com.au/features/a-fre…
Best friends and stars of SydneyTheatreCompany’s recent production of Is God Is, Henrietta Enyonam Amevor and Masego Pitso, discuss bringing Aleshea Harris’ modern myth of righteous revenge to the stage and “molding into a twin blob.” Read more below. breakingcharacter.com/is-god-is-revi…
4.5 stars for SydneyTheatreCompany's new show OIL, click below to read my review! suzygoessee.com/2023/11/09/rev…
Oil. SydneyTheatreCompany Wharf 1 Theatre. Review by Martin Portus. stagewhispers.com.au/reviews/oil-1
By the way, if you need a laugh, my new comedy at the SydneyTheatreCompany in February/March is deliberately silly farce and if you buy an STC subscription package now with at least 2 other shows there’s a good discount AND you’ll be supporting local jobs. :) sydneytheatre.com.au/whats-on/produ…
'Oil is no morality play. No thing, character, or action here is evil in its essence; fossil fuels are just another permutation of energy, of power, which has equal capacity to enslave or emancipate.' Patrick Lau reviews Oil | SydneyTheatreCompany australianbookreview.com.au/arts-update/10…
I took a lunchtime talk with Sigrid Thornton, and we spoke of life, death and Chekhov. SydneyTheatreCompany Guardian Aus Culture theguardian.com/lifeandstyle/2… “A constant reminder of one’s mortality is important to oneself."