Radhika Saraf writes on the distinction between “crime against man” and “crime against the white man” as revealed in the Tokyo Trial. asapconnect.in/post/764/singl…

Radhika Saraf writes on how South Africa, in fidelity to the integrity of the Nuremberg principles, presented a remarkable genocide case against Israel in the International Court of Justice in January 2024 to preserve the foundation of Palestinian life. asapconnect.in/post/765/singl…

Pronita Tripathi writes on Sheetal Mallar's photobook Braided (2023), reflecting on the format of the printed photobook and examining the afterlife of the family album in the digital age. asapconnect.in/post/766/singl…

In this edited conversation with Shweta Kishore, Shaina Anand and Ashok Sukumaran speak about the inception of CAMP as an artistic collective and their continuing focus on decentering relations of being, seeing and being seen. asapconnect.in/post/767/singl…

In this continuing conversation with Shweta Kishore, Shaina Anand & Ashok Sukumaran, co-founders of the artist collective CAMP discuss their engagement with documentary cultures, the use of soundscapes, and the construction of a new kind of spectatorship. asapconnect.in/post/768/singl…

Anoushka Antonnette Mathews writes on the event Beyond Story: Encounters with Essay Films, held at Bangalore International Centre, in which Yashaswini Raghunandan’s talk “Eat Your Mother and Father" discussed the interactions between personal and essay films. asapconnect.in/post/773/singl…

In an ode to the Khandoba temple at Jejuri, shot on Kodak Vision3 250D film, Ninad Pandit explores the tension between the flaneur, the outsider looking in and the history and significance of the site. asapconnect.in/post/775/singl…

Shibi Nandan examines the inscriptions at the Sivalokathyagar Temple, which document episodes of agrarian unrest in medieval South India, revealing how these spaces also served as records of social and political struggles. asapconnect.in/post/776/singl…

Santasil Mallik reflects on ishan tankha's set of zines titled 'still, life', juxtaposing imagery of migrant workers, police actions & social decay, while questioning pandemic-exposed issues & highlighting zines as a growing photojournalistic medium. asapconnect.in/post/777/singl…