Eric Hynes
@eshynes
Writer/Reporter/Critic; Curator of Film, Museum of the Moving Image
ID:27979830
https://www.filmcomment.com/author/eric-hynes/ 31-03-2009 22:24:12
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“It can feel like therapy to watch it. And it was therapy for me to make it.”
Nausheen Dadabhoy 🪬 talks about An Act Of Worship with Farihah Zaman, whose new monthly series Infinite Beauty: Muslim + MENASA Identity Onscreen is alive and ongoing Museum of the Moving Image
Excited to be launching a new ongoing series, Infinite Beauty: Muslim and MENASA Identity Onscreen, guest programmed by Farihah Zaman, with Nausheen Dadabhoy 🪬’s AN ACT OF WORSHIP - this Sunday night Museum of the Moving Image. 🚨
Next SUN (11/6), join guest curator Kinitra Brooks for a special 2 film series exploring the Black final girl and the iconic characters that laid the foundation for her presence in modern horror. Featuring TALES FROM THE CRYPT: DEMON KNIGHT and 28 DAYS LATER. movingimage.us/series/the-bla…
'Universally relevant. This powerful documentary about
Argentina’s abortion debate has global relevance' (Screen International). This Sunday, October 23 at Museum of the Moving Image mailchi.mp/cinematropical…
Who’s playing hooky to see King of Queens James Gray dole out a doubleheader Museum of the Moving Image?
Kicking off this weekend's #CaanFilmFestival shows, we return to Michael Mann's 1981 crime masterpiece THIEF—and who better to introduce the film than the master himself! Screens TONIGHT (encore OCT 2 & 9) with a special video introduction. movingimage.us/event/thief-6/…
James Gray on James Caan and THE YARDS - in person Friday, Oct 14, directly before the sold out Queens premiere of ARMAGEDDON TIME New York Film Festival.
Reid Davenport's New Film Confronts the Legacy of the Freak Show
Check out Reid Davenport's artist diary on Creative Capital: creative-capital.org/2022/09/27/rei…
I Didn't See You There screens at #DCTVFirehouse September 30 through October 6! links.dctvny.org/IDSYT
Alex Gibney Freedom. Of. Speech. Does not. Guarantee a platform. And the response to the film has also been an expression of that right— it’s been done publicly, not coordinated in secret. Those who disagree with the critiques are still free to show the film, and clearly have been doing so.