Very very happy that this on Abrahamsen’s masterful let me tell you is now published in Tempo: cambridge.org/core/journals/… Exciting!!!! Christopher Fox #hansabrahamsen

New year, new publication! 🎉 My (dark) ecological reading of Beat Furrer's recent work has just been published in Christopher Fox. Dive into the article here: t.ly/RdX7G #NewMusicTwitter #Ecomusicology

A great loss. Without Chris Villars Feldman scholarship would have been much diminished.

Last week, my (dark) ecological reading of Beat Furrer's recent work was published in Christopher Fox. The full article is available here 👉bit.ly/tempo-dysers👈 Curious about what I have to say but no time to read the whole thing? No worries, here's a thread! 🧵 (1/9)

UoS MUSIC activities featuring in latest edition of Christopher Fox: * article by recent PhD Peter Falconer on parafiction * article by UoS staff matthew shlomowitz on artistic voice * review of recent PhD Uri Agnon's "Antisemitism: a (((musical)))" cambridge.org/core/journals/…

Antisemitsim a (((musical))) "created a space for the audience to sit with the issues, wrestle with the contradictions and laugh at the absurdity of it all" A new thoughtful & well-reasereched review of 'Antisemitism' by Adam Possener in Christopher Fox 👇 cambridge.org/core/journals/…

How to be a successful cyborg: cambridge.org/core/journals/…

“Riot Ensemble, conducted by AS, performed this fifty-minute piece with real intensity and embodiment.” ❤️‍🔥 Thanks Christopher Fox 🌙 👁️ 🌊

I have an article looking at the matter of ARTISTIC VOICE in the latest Christopher Fox. Many thanks to Christopher Fox for his edits, and to Uri Agnon and Vid Simoniti for their comments on a draft. If you can't get the article, write me. cambridge.org/core/journals/…

New publication! 'Reflections on Cyborg Collaborations: Cross-Disciplinary Collaborative Practice in Technologically-Focused Contemporary Music' by the whole #cyborgsoloists team is out now in the latest issue of Christopher Fox : cambridge.org/core/journals/… #collaboration

I've received a bunch of super interesting comments, critiques & questions from folks by email about this paper out on Christopher Fox. Very glad to hear more not least because I might go on with the topic, so write me if it suits! cambridge.org/core/journals/…

Long live Music at Goldsmiths, one of the UK’s most consistently innovative and inclusive music departments!

My dad would have been 85 today. Tranquil Abiding, one of his pieces, will be performed BBC Proms this August. I'm so proud and wish he could be there sitting next to me. Instead his children and grandchildren will be going to listen, marvel and remember. Happy Birthday Dad.💙

My article IT'S NOT ABOUT YOU: DO WE STILL NEED AN ‘ARTISTIC VOICE’? in the most recent Christopher Fox has now been made open access. cambridge.org/core/journals/…

They promised to level up. They didn’t. Vote them out.

It is with great sadness that we announce the death of Schott Music composer Alexander Goehr at the age of 92. Sandy (to all who knew him) passed away on August 26, 2024 at home in Cambridgeshire. schott-music.com/.../alexander-…

Musicological twitterati! Which would you use if you were discussing the music of Éliane Radigue?