peter foolen(@PeterFoolen) 's Twitter Profileg
peter foolen

@PeterFoolen

contemporary art, bookdesign, publishing & exhibitions

ID:269984582

linkhttp://peterfoolen.blogspot.com calendar_today21-03-2011 20:14:27

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Barry Flanagan(@JBFinfo) 's Twitter Profile Photo

The anthropomorphic qualities of Flanagan’s hares make them a natural metaphor for the human condition. In his Nijinski hares, Rodin’s homage to the dancer gives inspiration along with Flanagan's experience of dancing. ‘Sculpture is always going on’ continues at Galerie Max Hetzler.

The anthropomorphic qualities of Flanagan’s hares make them a natural metaphor for the human condition. In his Nijinski hares, Rodin’s homage to the dancer gives inspiration along with Flanagan's experience of dancing. ‘Sculpture is always going on’ continues at @hetzlergallery.
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Erica Van Horn(@inwetweather) 's Twitter Profile Photo

Below please find a link to my latest post , and the first rhubarb of the season. somewordsforlivinglocally.com/2024/04/01/wea


Below please find a link to my latest post , and the first rhubarb of the season. somewordsforlivinglocally.com/2024/04/01/wea

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peter foolen(@PeterFoolen) 's Twitter Profile Photo

Last night, at the presentation of the TESAMMANS collection of IKEA with Eindhoven based design studio Raw Color at IKEA Eindhoven.

Last night, at the presentation of the TESAMMANS collection of @IKEA with Eindhoven based design studio Raw Color at IKEA Eindhoven.
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Alice Rawsthorn(@alicerawsthorn) 's Twitter Profile Photo

SĂ”etsu Yanagi | 5. “When I saw it, my heart fell,” wrote Yanagi in 1931 of a favourite object, an exquisite Kizaemon Tea Bowl.  'So simple, no more ordinary thing could be imagined... Made for a purpose, made to do work. Sold to be used in everyday life.”
instagram.com/p/C4zuIpnIIGJ/

SĂ”etsu Yanagi | 5. “When I saw it, my heart fell,” wrote Yanagi in 1931 of a favourite object, an exquisite Kizaemon Tea Bowl.  'So simple, no more ordinary thing could be imagined... Made for a purpose, made to do work. Sold to be used in everyday life.” instagram.com/p/C4zuIpnIIGJ/
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Gropius Bau(@gropiusbau) 's Twitter Profile Photo

Tomorrow marks the start of our spring programme and the opening of 'Nancy Holt: Circles of Light' & 'Pallavi Paul: How Love Moves'.
Admission is free and there's going to be a DJ set by Cajoux in our Restaurant Beba. We're looking forward to having you ✹
bit.ly/holt-pallavi-o


Tomorrow marks the start of our spring programme and the opening of 'Nancy Holt: Circles of Light' & 'Pallavi Paul: How Love Moves'. Admission is free and there's going to be a DJ set by Cajoux in our Restaurant Beba. We're looking forward to having you ✹ bit.ly/holt-pallavi-o

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peter foolen(@PeterFoolen) 's Twitter Profile Photo

It’s not a Lamborghini but for many years we drove, or rather float, all through Europe in this CitroĂ«n BX, our favourite car, designed by Gandini.
Here in 2003 in Poland near GdaƄsk.

theguardian.com/world/2024/mar


It’s not a Lamborghini but for many years we drove, or rather float, all through Europe in this CitroĂ«n BX, our favourite car, designed by Gandini. Here in 2003 in Poland near GdaƄsk. theguardian.com/world/2024/mar

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Gropius Bau(@gropiusbau) 's Twitter Profile Photo

We warmly invite you to visit our Instagram account, which will be taken over this week by the Holt/Smithson Foundation and will give you an insight into the exhibition 'Circles of Light' by Nancy Holt, opening on 21 March at the Gropius Bau.
instagram.com/p/C4YNI0HIcty/


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Barry Flanagan(@JBFinfo) 's Twitter Profile Photo

'The Native Land' poster advertising an exhibition held at The Mostyn Art Gallery, Llandudno, 11 Aug- 15 Sep 1979. Colour screen print designed by Robert Henderson Burn, illustrated by Barry Flanagan and printed by David Fortune.
The poster is in the collection of V&A.

'The Native Land' poster advertising an exhibition held at The Mostyn Art Gallery, Llandudno, 11 Aug- 15 Sep 1979. Colour screen print designed by Robert Henderson Burn, illustrated by Barry Flanagan and printed by David Fortune. The poster is in the collection of V&A.
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